Showing posts with label willow's poetry. Show all posts
Showing posts with label willow's poetry. Show all posts

Tuesday, April 26, 2011

spring purge

























You drag
empty boxes
from a well-buried cellar
thump them one by one
up the dusty steps

gently
and methodically
slice through duct tape
with your silent box-cutter
fill each virginal square
with a kaleidoscope
of Shakespeare

Sibelius and light
render me gapeseed
excited like taking
a lot of vitamin pills
or drinking
too much coffee

butterflies
under my skin
spring on my forehead
like a high fever



Tess Kincaid
April 2011






Spring usually hits the Midwest like a hot Mack truck, but this year, I've quite enjoyed the gentle, luscious, foggy-soggy-wet-of-a spring.  I spontaneously bought a toy kaleidoscope last week, just like the one I had as a little girl. Spring fever. It must be.

April hath put a spirit of youth in everything.  William Shakespeare

Monday, April 18, 2011

vamp



















Seducing spring-starved
to a pagan breakfast
of fertile eggs-over-easy
and fresh-squeezed green,

she pants to repopulate,
as tender winter-lips
are somewhat bruised
in a stampede of kisses.

Coaxed to a feverish pitch
of rose hips and nakedness,
only to her early exit, hobbling
out, a one-legged mother,

cane raised in thunder-pout,
conjuring fickle winds
without orgasm, and spits,
sycophant, in your eye.


Tess Kincaid
April 2011


Saturday, April 16, 2011

black madonna

my reflection in the Black Madonna

Our eyes meet dark
across the kitchen sink,
pooling maternal kinship,
without a lot of fussing
and praying, we regard
a settled melancholy.

Thoughts crisscross
quiet over the dishwater,
with a soothing ritual scrape
of accumulated leftovers,

keeping the best scraps
a sacred Eucharist,
cooled and wrapped
in smooth silence,
to be digested
tomorrow.



Tess Kincaid
April, 2011



Black Madonna image from Wiki
WT gave me a beautiful framed vintage print of the Black Madonna of Częstochowa for Christmas. The galley-style kitchen at the manor has a sink that faces out toward a bit of wall.  She hangs, facing the sink, keeping me company as I tidy up the dishes.

There are many theories as to why she is called the Black Madonna, including the dark skin is that of the pre-Christian earth goddesses, the theory that she expresses a feminine power not fully conveyed by a pale-skinned Mary, or that the dark skin is more appropriate in describing the original skin color of the Virgin Mary.

There are those who believe she has some esoteric significance, including being revered by the Templars. I'm quite fascinated by her beautiful dark mystery.

Monday, April 11, 2011

smile when you are ready



Say anything, invent an excuse;
drag them out of the conversation pit,
haul their coats from the bed. Gather up
the unfinished wine glasses
and crushed napkins.

Trade my rhinestones for the lenses
of Spinoza, mecca of the eternal yes,
whose facets reflect the sweetest looks,
the most tender truths, the familiar
restored to proper strangeness.

The night is a shiny stone; standing close,
our toes try not to dream of climbing.
Is this Dali's sofa?

Then it must be your lips.





Tess Kincaid
April 2011




Last week, my fortune cookie read, "Smile when you are ready".  I couldn't wait to use it in a poem. Don't you love when special words and phrases fall in your lap, seemingly out of nowhere?  Well, it's not exactly out of nowhere, for me, since I don't believe in coincidence. 

If you would like to read more on Baruch Spinoza and his lenses, click here.

Do not weep; do not wax indignant. Understand.
Baruch Spinoza

Monday, April 4, 2011

april



















I raised my hand
in a classroom of rain;
the sun would not call on me.



Tess Kincaid
April, 2011

Monday, March 28, 2011

tryst
























Twist of herringbone and tie,
guidebook anxious in your grasp,

we wait as charms dangling
in the bracelet of an afternoon queue;

synchronize watches, then pass
like bookends in the Salle des États.

A tangle of art and lust, our palms
flush, while lonesome eyes chiaroscuro

from canvas-covered walls
and bullet-proof glass,

frozen in Janson History gray,
monochrome, medievally quiet.


Tess Kincaid
March, 2011




To join Magpie Tales creative writing group, click here.

Friday, March 18, 2011

swashbuckle reprise














This sword drawn overhead 
grows lazy in my palm, 
as creeds melt away, 
remarkably obtuse, slow
on this road that has no turn.

The walls of my mind
are covered in hushed,
unspoken wallpaper,
a mecca, calm as gentle Jesus,
shielded by invisible memories.

My blade becomes a trowel,
a garden hoe, to till
in search of long-buried
love, the dead, who know
there is no rage in Heaven.



Tess Kincaid
March 2011




artwork by Tim Cantor

Tuesday, March 8, 2011

sauté


I snap cloves of garlic
under the blade
of my most dangerous
knife, highly addictive
as popping bubble-wrap.

Fevered stars hop
fast, dance in cast-iron,
our brave mouths kiss
hearty with pungent taste.

Venus sizzles imperative,
hungry in the night kitchen.


Tess Kincaid
March 2011



To join the creative writing fun at Magpie Tales, click HERE.

Sunday, March 6, 2011

molt

I shed unnecessary hair,
gather it from the drain and toss it
like a lip-stained Dixie cup.

A run-away-from-home bag waits,
ready, packed with leftover people,
dry as cracked slivers of soap.

I forget it on purpose, sprout fresh
castile wings and fly to the brutal clean.

Not a canary to the fair-bird branch,
but bark rogue, find the woods’ deep
bosom of scrub and fern. 

This time I prefer bears and wolves.



Tess Kincaid
March 2011


Would you like me to read it to you?



photo courtesy of Google images

Thursday, March 3, 2011

a lost art

The Whistling Boy, Frank Duveneck, 1872
Cincinnati Art Museum
Apparently, we have become too self-conscious to whistle in public. It used to be quite common to hear total strangers, out and about, happily whistling. I wish I could. If I pucker at just the right angle, I produce one note, a weak high D. That's it. I couldn't whistle an entire song, if my life depended on it.

WT, on the other hand, is a natural-born whistler. He can whistle anything, embellished with trills, even key changes. I don't know about you, but whistling triggers my serotonin levels, evoking a sense of the warm woollies. When I wake up to perky whistling, I know it's going to be a good day. Would I be stretching it to say my DNA is tingling? Maybe not. That deep DNA just might be doing its thing.

My uncles tell me a lady in our little rural Indiana church was known to whistle solo hymns for the congregation, complete with a lace hanky strategically clasped in her hands. My aunt loves to tell the story of how she won first place in a whistling competition in the 1950s. To this day, we tease her about opening up a prestigious School of Whistling, before it becomes a lost art.

Speaking of, what happened to all the great whistling in movie music?  Has Hollywood become too sophisticated to whistle? You know, like the iconic A Fistful of Dollars theme, the "Colonel Bogey March" in The Bridge on the River Kwai or even the Andy Griffith Show theme?

There are a lot of interesting superstitions connected with whistling. In Russian and other Slavic cultures, whistling indoors is believed to bring poverty, "whistling money away", whereas whistling outdoors is considered normal.  In Serbia, it is said whistling indoors will attract mice, while in Korea, Japan, parts of South East Asia, and South India, whistling at night is thought to bring snakes. In Scotland, some people say whistling makes Our Lady, Mary cry; this is told to small children to keep them quiet. On board a sailing ship, whistling is thought to encourage the wind strength to increase. Among, many theater superstitions, whistling on a stage is thought to bring bad luck or at least a bad performance.

I thought it might be fun to write a poem about whistling.  When I finished the first draft, I realized this piece seems to portray more than one kind of bodily noise.  I laughed so hard I could hardly breathe, much less whistle. I started revising the parts in question, but since they "permeate" the entire poem, I decided to leave it as is, in its first "draft", for your comedic pleasure. "Toot Dixie" might be a more appropriate title. It took me three reads to make it all the way through without laughing.



Whistle Dixie


Seems we have grown
too self-conscious
to pucker-up-and-blow,
in the street or at the grocery store.

No more Hoosier Sundays,
church lady trumpeting
the walls of Jericho, clutching
a badly bound hymn book,
out-tooting a tea kettle.

My natural-born whistler
throws caution to the wind
and whets his with abandon,
serenading my mornings,
like the scent of all the lilacs in Ohio.

I smile and come to breakfast
like a well-trained pet.



Tess Kincaid
March 2011





pictures courtesy of Google images

Monday, February 28, 2011

lemon














In Sunday-go-to-meeting
clothes, the Betty Boop 
of fruit, a natural-born flirt, 
can be very unpretty.
After the first sweet sip, drips
a brutal aftertaste. They say blood 
can’t be squeezed from a turnip.
Sometimes, no matter how
hard you try, lemonade
can’t be made from a lemon. 
Sugar hides a multitude,
but it's no good to be
both hungry and afraid.



Tess Kincaid
February 2011


Would you like me to read it to you?

Thursday, February 24, 2011

exposition of sleep

Gone is the late,
languid dream, the lazy
misdirected energy, closely-shaved
armpits, gaped hungry and pink,
deep past the alarm.

The crepe-strewn sphinx, hollows
now filled and tapped, easy
with a new eye, punctual
as a cuckoo clock,

does not take much room
in bed, but sleeps rolled
in a ball, a pendulum steeped-quick
and pulled-out, like a teabag. 


Tess Kincaid
February, 2011


Would you like me to read it to you?

Wednesday, February 23, 2011

limbo

After the melt, winter, dull
with Novocaine, lacking a proper taste
of death, waits in patient homage

for Nature to resume her pleasantries.
The insufficient poison of ice,
is swallowed-up in mushroom sky,

and leaves behind a chamois world,
a limb-strewn, cardboardy puzzle,
dirty as a pillowcase. She paces,

obtuse, in the squalor of good
intentions, scotch-taped, ephemeral, 
in an arborglyph of days.


Tess Kincaid
February 2011



Would you like me to read it to you?

Tuesday, February 15, 2011

alkali











The salt of the earth
is not known for a bedside
manner. Theirs is not for tasting
the white of an egg, but predatory,
sponged and purged, rubbed
in war wounds, blood-red
as Mercurochrome.

Why trade in such certainties?
Let them roll like Jujitsu, tumble
easy, as water off a duck’s back,
salting icy roads instead of tears.

I ask for a small portion,
like a cocktail olive
in a vodka martini.

It’s just a scratch.
Kiss it for me.



Tess Kincaid
February 2011



Would you like me to read it to you?

Monday, February 14, 2011

modern fugue





We sing plain American
and play, achingly similar,
in a flux of singing telegrams.

Through well-tempered episodes
and false entries, we build
like a Midwest summer
fever, an infection
of synonymous tumors, ripe
with tonic chords
Gershwin would admire.

The house water runs
warm and loud until everything
goes silent; but it’s never
entirely silent, to be murdered
by a song.



Tess Kincaid
February 2011



Would you like me to read it to you?




Painting by American artist George Tooker.

Tuesday, February 8, 2011

ms. st. vee and me
























Edna's House



Out back, Edna
hangs pillowcases,
fresh as a line of sonnets.

Her rogue image, 
candid in a nightie and tramp-coat,
displays robust charm,
to match her savage beauty. 

We chat over wet laundry 
― 
I trust her with my tough secrets, 
my edged tools.

It's easy; like having another drink, 
when you know you’ve had enough.

She tosses words like clothespins,
exhales slow, stamps a cigarette
in the grass, with a twist
of her Pulitzer shoe.

“Your heart is true”, she winks.
“You may pass”.



Tess Kincaid
February, 2010



Whenever I pass this little green house, I like to imagine my muse, Edna St. Vincent Millay, living here. It's far from Steepletop, but I see her, soft in her easy chair, scribbling sonnets late at night, before the fire.

Thursday, February 3, 2011

on being six



















I watch her tip across
the street on morning toes;
her heels always miss the cracks
between the steps.

I hide in picture-window drapes
from her fish-eye, black
hair in uniform shape,
jacket loose, her arms free
of sleeves and children.

I skate soft-sock
back to bed, pull up the lone
sheet around my face,
feel no hostile
vibrations, but hate
her all the same.

“It’s that mustache of hers”,
I say out loud to the ceiling.




Tess Kincaid
January 2011



Would you like me to read it to you?




photo borrowed from Google images

Wednesday, February 2, 2011

middle of the road


Step across your side
and meet me in the fallow;
come with the innocence
of a freshly laid egg.

Do not mind the cracks
and crevasses; if your foot
lands on one, it will not break
your mother’s back.

Quick, before the thin edge
of the wedge becomes deep;
prime the seed, like a pump,
with a feathered whisper.

Be brilliant, talk yourself into it;
wipe the yolk from your face
and move to the soft center,
flip your sunny side up.




Tess Kincaid
January, 2011


Would you like me to read it to you?


Tuesday, January 18, 2011

does my butt look big in this?

Tailgate Party



We are clearly
my distant cousins in bustles
Hattie Blanche Hanna and Ida Ellen Hanna
Carroll County, Indiana
circa 1880s
at a disadvantage
without them;
parts of our personage
set loose in butt-sprung
spandex. Nothing disguises
our plussed derrieres.

Our foremothers
wore add-on cabooses,
cushions well served
in the art of subterfuge,
not to mention
ice skate protection,
and padded tushes
for stumblebum trippers.

Why not rustle them
back with a few snaps
and zippers? A great way
to hide a large rump,
don’t you think, since all
will attribute its shape
to the bustle.



Tess Kincaid
January, 2011



my great aunt Winnie Hanna with friends and skates (right)
Ervin Township, Howard County, Indiana, 1905


Would you like me to read this poem to you?




Thursday, January 13, 2011

root canal



















The mobile spins
from a bent wire, like a cage
from the ceiling. It does nothing
to distract me. We play a little game
of waiter and customer; the deeper
he goes, the more it costs. I think
about tablecloths, as his long,
hairy hands fink, absurdly personal,
around my pink sidewalls.
He, and his assistant, chat
innocuously about the longevity
of parrots and H & R Block.
I listen, as the alien-high squawk
drowns Neil Diamond and spatters
my goggles. Hours later, mute,
I disengage, tumble out
to the magazine readers, fuzzy
and buzzy, like I’ve been shaved
by a drunken barber.



Tess Kincaid
January, 2011



Would you like me to read this poem to you?






Well, I did it. I braved the most dreaded of all dental procedures today. I had a root canal. Actually, I will say that the whole process was completely pain free. Okay, I have a very high pain threshold, but must admit, I was terrified the entire two hours.

photo borrowed from Google images