Showing posts with label ephemera. Show all posts
Showing posts with label ephemera. Show all posts

Sunday, June 10, 2012

Ephemera




It would be foolish to stash it,
unlocked, under a rug or mattress.

I take it out often, inhale the fragrance,
alphabetize it, 
count and double-check it,
like foreign currency.

When my time comes,
I'll listen to Shostakovich,
and bury it beneath the tree
I long to be pressed against and kissed. 

Seeds of passion will sprout roots,

and bloom, uninhibited.


tk/June 2012


R.A.D. with Dmitri looking on...




*Still Life, 1670, detail by Jean François de Le Motte


Wednesday, March 9, 2011

same ingredients, similar brew

Lee Miller, WWII
A week or two ago, my illustrious blog friend, Alan Burnett (today revealing his nickname "Ali") left this comment on my recent post on Charles Simic:

There must be something about 
certain characteristics that pool together: 
born collector, notebook-keeper, blog writer. 
Same ingredients, similar brew and a knowledge 
of what you like, I'll probably like. 
Off to look up Simic 
(just written his name down in my note-book).

That day, unbeknownst to me, Alan posted an article on his blog titled "Swaying His Legs Like a Pair of Woolen-Coated Pendulums", about writing a novel in a series, on the back of postcards mailed to a friend (I loved the woolliness of the title, as well as the postcards) and the very same day, I posted my poem "Exposition of Sleep" which also included "pendulum", not exactly an everyday sort of word.

After this series of small synchronicities, Alan proposed an experiment.  We each would choose a postcard which would represent a current thought or interest, add a message identifying the thought, and mail them to each other on the same day, Saturday, February 26, 2011.

I quickly pulled out three postcards from my collection.  One, a girl in WWII military uniform with a tie, a street scene with a vintage bookseller in Paris, and a 1960s era TWA postcard, depicting an American girl with a red bicycle, in Paris.  It was a hard decision, but I finally chose the last.

postcard sent by Alan Burnett
Here is the card Alan sent me.  Upon first glance, I immediately noticed Lee Miller in military uniform with a tie, very similar to one of my unmailed choices. He mentions going to Oxford and buying a lot of vintage postcards all based on book covers; this corresponds with my other card choice.  But, what I didn't initially see, is the fact that the book, The Lives of Lee Miller by Antony Penrose, is about a successful American fashion model  who moved to Paris in the 1920s and established herself as a photographer, producing some of the most powerful images of the century.

So what is the result of our little experiment?  Even though the two postcards are very different, (hop over to Alan's blog and take a look at mine) there is still a wealth of similarities lurking under the surface.

In the body of the written correspondence, we both mention personal adventures and vintage ephemera. He mentions traveling to Oxford; I mention New York.  He talks about the art form drama; I mention poetry. His card shows a talented female artist Lee Miller; I mention Edna St. Vincent Millay.


Among all the similarities, it all boils down to this:  both our cards picture American girls who went to Paris, a fascinating mutual theme. These synchonicites are not surprising in two people with similar interests, characteristics that pool together like doppelgangers. It's amazing how kindred spirits can connect so easily in this digital age of blogging. But, when I told WT the results of our little test, he laughed.  "Does Alan know you're psychic?"
P.S.--Okay, this is spooky.
(click to embiggen)

Tuesday, May 4, 2010

golden graphics






Remember a few weekends ago, when I saw The Last Station at the charming little Drexel Theater in Bexley? They happened to have a box of free posters in the lobby. Well, I'm a sucker for free anything, so I picked one of The Wolfman, 2010. I haven't seen the movie, but Anthony Hopkins has that kind of effect on me. He makes me weak in the knees. I just might pin it to my bedroom wall. Modern film posters are great, but they certainly don't hold a candle to the fantastic graphics of the vintage variety.




Last night, TCM advertised the new book, Starstruck, Vintage Movie Posters from Classic Hollywood. It's the collection of Ira N. Resnick, which includes some 2,000 posters and 1,500 film stills from the golden age of Hollywood. Resnick is both a dealer and a collector, who owns the Motion Picture Arts Gallery in New Jersey, and is a leading authority in the world of film memorabilia.

Several images of Resnick's collection were online. I especially like this wonderful art deco-ish image of the fabulous silent film star, Louise Brooks. What a treasure. I happen to love vintage ephemera of all kinds, but don't have anything Hollywood in my personal collection.

This cool image of Blind Husbands, 1919, also caught my eye. I'm adding this movie to my queue. It's written and directed by Erich von Stroheim, who also stars in the film. Most of us remember him, towards the end of his impressive career, as the creepy enigmatic Max in Sunset Blvd., 1950.

Another form of collectible movie ephemera is the lobby card, like this one for Giant, 1956, which is a small version of the poster. They were 11" x 14", and sometimes 8" x 10" before 1930.